Treffer: Maquinarte or the Creative Involution ; Maquinarte o la involución creadora ; Maquinarte ou a involução criativa

From the beginning, men have schemed with the things of the world and these have schemed with them. Thus Archimedes, with his colossal concave mirrors, machines and is himself machined in defense of his city, Syracuse, against the Roman invader. The writer himself, rather than a user of the typewriter, turns out to be a piece of the machine-writing, an agent of a machinic process that changes him, because we do not write according to what we are, but we are according to what we write. The modern era is founded on the collapse of representation. The writer, rather than reproduce the visible, makes visible, predicts, senses, thanks to a process of symbiosis between the world, the writer and the work, a peculiar hybridization such as that which occurs between the bee and the orchid, of kingdoms completely different, which are coupled and lead tocross fertilization that enriches the chromosomes of the plant. Thus, the writer, a good sensor or medium, is in tune with the world, vibrates with it, machines with it and emits signals. The literary work achieved produces leaks in the world of representation and insists on overcoming the forces of gravity, making it take off from the earth, but to better grasp the world. The work of writing gives rise to multiple, imperceptible developments in the writer himself. ; Desde el principio, los hombres han maquinado con las cosas del mundo y estas han maquinado con ellos. Así Arquímedes, con sus colosales espejos cóncavos, maquina y es maquinado él mismo en defensa de su ciudad —Siracusa—, contra el invasor romano. El escritor mismo, más bien que usuario de la máquina de escribir, resulta ser una pieza de la máquina-escritura, un agente de un proceso maquínico que lo cambia, pues no escribimos según lo que somos, sino que somossegún lo que escribimos. La época moderna se funda en el derrumbe de la representación. El escritor, más que reproducir lo visible, hace visible, pronostica, presiente, gracias a un proceso de simbiosis entre el mundo, el escritor y la obra; una ...