Treffer: Perceptual compensation of the reproduction room for single-source Ambisonics recordings.

Title:
Perceptual compensation of the reproduction room for single-source Ambisonics recordings.
Authors:
Fallah A; Department of Medical Physics and Acoustics, Carl von Ossietzky University of Oldenburg, Cluster of Excellence-Hearing4all, Oldenburg, Germany., Nakamura S; Nakam Audio, Sado, Japan., van de Par S; Department of Medical Physics and Acoustics, Carl von Ossietzky University of Oldenburg, Cluster of Excellence-Hearing4all, Oldenburg, Germany.
Source:
The Journal of the Acoustical Society of America [J Acoust Soc Am] 2026 Jan 01; Vol. 159 (1), pp. 117-140.
Publication Type:
Journal Article
Language:
English
Journal Info:
Publisher: American Institute of Physics Country of Publication: United States NLM ID: 7503051 Publication Model: Print Cited Medium: Internet ISSN: 1520-8524 (Electronic) Linking ISSN: 00014966 NLM ISO Abbreviation: J Acoust Soc Am Subsets: MEDLINE
Imprint Name(s):
Publication: Melville, NY : American Institute of Physics
Original Publication: Lancaster, Pa. [etc.] : American Institute of Physics for the Acoustical Society of America
Entry Date(s):
Date Created: 20260106 Date Completed: 20260106 Latest Revision: 20260106
Update Code:
20260106
DOI:
10.1121/10.0042017
PMID:
41490191
Database:
MEDLINE

Weitere Informationen

Ambisonics is a method for capturing and rendering a sound field accurately, assuming that the acoustics of the playback room does not significantly influence the sound field. However, in practice, the acoustics of the playback room may lead to a noticeable degradation in sound quality. This paper proposes a recording and rendering method based on Ambisonics that utilizes a perceptually motivated approach to compensate for the reverberation of the playback room. The recorded direct and reverberant sound field components in the spherical harmonics domain are spectrally and spatially compensated to preserve the relevant auditory cues, including the direction of arrival of the direct sound, the spectral energy of the direct and reverberant sound components, and the interaural coherence across each auditory band. In contrast to the conventional Ambisonics, a flexible number of Ambisonics channels can be used for audio rendering. Listening test results show that the proposed method provides a perceptually accurate rendering of the originally recorded sound field, outperforming both conventional Ambisonics without compensation and even Ambisonics reproduction in a simulated anechoic room. Additionally, perceptual evaluations of listeners seated at the center of the loudspeaker array demonstrate that the method remains robust to head rotation and minor displacements.
(© 2026 Acoustical Society of America.)